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Showing posts with label Base Spirits. Show all posts
Showing posts with label Base Spirits. Show all posts

Wednesday, May 16, 2018

Hell-ooooo Out There!

I have returned.

Me hanging out with Bill at Shakespeare's Birthplace last year

Well, I never really went anywhere -- just to hell and back, as some of you may or may not recall from a few of my poignant and terrible previous posts. I kept on promising that I'd try harder and keep up the blog. For so many reasons (and no reason at all) I found I didn't have the need or the drive... and so I left this poor blog on the side of the road to fend for itself.

There had been more death and loss in my immediate circle than life and joy in recent times, and healing has been both necessary and slow. I don't think I'm all the way back yet. I don't think the old me will ever quite manage to come back fully restored, and that is simply the way of it.

If you really want gory details, go back a few posts and you'll see what I went through. And the worst was yet to come in the ongoing saga with the loss of my Mom in December of 2015. I still feel rudderless in the wake of Mom's death, and am adjusting day-by-day to my relatively new status as an orphan.

But it's not all doom and gloom. I have been working on my health and have made good progress. I have been writing a wonderful, odd story that eventually became a novel... and that in turn seems to be Part One of Three. The world of Haresmoor is layered with ancient mysteries. At its heart, there lies an age-old battle between the Cunning Ways and the titled nobility who have taken over their sacred lands. It is a strange feat of imagination but set in a specific real place and time -- Wiltshire at the very end of World War I. I am finding my grandmother's voice and my mother's within the pages. Izzy is the girl at the centre-- the last of her Cunning kind with a long, hard road ahead. There is a rambling manor house full of secrets and long-suffering staff. A stone circle crowned by rooks and magpies. Animal characters have presented themselves: tricksters and helpmeets, primarily Meep the cat, Crow and Fox. I'm loving the weird invention of it all and am reveling in exploring language in new ways. What is Haresmoor? It's Englsh Folk Horror. It's Magic Historical Realism. Who knows? The genre might be a tricky one to nail down! "Downtown Abbey meets Harry Potter," a friend quipped. But that sort of pastiche is too easy and simplistic... though that sort of broad appeal would be welcomed by me!

Avebury Stone Circle, 2016.

It's meant my returning to the U.K. and tramping about in search of visceral details. If I can make the trip yearly, I shall. In a perfect world, I'd split my time equally between Ontario and England. That is still the goal -- despite the fact that the England in my mind doesn't match the depressing reality all that much these days. But my stories live there. My soul lives there, entwined in the family roots and embedded in its soil. I'll share imagery and words in my coming posts.

Other news! Base Spirits has been adapted as a screenplay by a Toronto filmmaker, Carolyn Kelly, and I'm now combing through the novel manuscript ahead of taking a pass through the script. It is instructive to revisit old work and see just how much I have since grown as a writer.

Haresmoor is the present main creative focus. I am closing in on the complete first draft and then the editing and rewriting will begin. I am also actively seeking new ways to reach audience and expand my readership. I have a LOT of writing to share and it is time to get it out into the world. Watch this space... I shall reveal details as things unfold in the coming months.

I promise.

Monday, July 27, 2015

Director John Caird's Labour of Love





Director John Caird



Hello, my darlings. The summer continues apace! And so does my series of my recent Stratford Festival SceneNotes interviews with some of the amazing talented theatre people who pass through my town every season.

Today's special guest... British theatre director extraordinaire, John Caird. Mr. Caird is just putting the final touches on his production of Love's Labour's Lost, and he had a chat with me in between rehearsals a few weeks ago. [He also bought and read Base Spirits, which was very kind of him when he's so busy! He enjoyed it-- found it very scary indeed. He'll pass it onto his son, also a director-- who has actually staged A Yorkshire Tragedy, the dramatic source and inspiration for my novel.)

Without further ado...

In a long and illustrious career studded with Tony and Olivier Awards, Alberta-born director John Caird is perhaps best known for the international smash hit musical, Les Misérables. I caught up with him during a break in rehearsals for Love's Labour's Lost.


Q: Despite having directed Shakespeare productions in the United Kingdom and all around the world, this is your Stratford Festival debut, is it not?

John Caird: Indeed it is! My coming here to direct Love’s Labour’s Lost this season is the culmination of a decades-long conversation with the Festival. I’ve always wanted to work here; the timing just never seemed to be right for me before now. I was too ensconced in my work with the RSC, the National Theatre and the West End, and my family life kept me in London. You could say that the Festival and I have enjoyed an ongoing mutual flirtation. It’s great to finally be here at long last.

Q: As a resident director with the Royal Shakespeare Company from the 1970s to the ’90s and beyond, you certainly have an excellent grounding in Shakespeare’s works. But you also have a full and varied background directing new plays, musical theatre and opera. Are there a lot of differences between directing Shakespeare and an opera?

JC: Opera is a very different world altogether. In regular theatre, the director is the artistic authority and textual storyteller – although in the case of developing a new play for production, the playwright is in charge of the storytelling process. In opera, the conductor is the ultimate artistic authority. Opera as performed today is not theatre in any true sense of the word but rather a dramatic branch of classical music. The criteria for excellence are all defined by the quality of the music and the performances of the singers and musicians. As a director, it is not as intellectually engaging as the process of theatre production, and the actual repertoire is quite small. I enjoy it in a very different way.

When I’m directing Shakespeare, most of the actors are generally coming to their roles for the first time. In opera, the performers will often have sung their parts multiple times in other productions – as many as a dozen times or more.

Audiences for opera tend to be dedicated classical music types. They are not necessarily lovers of theatre; in fact, there is surprisingly little crossover between the patrons of opera and theatre. Opera is also horrifically pricey to stage – it is said there is only one thing more expensive than opera, and that’s war! Opera is highly dependent on affluent sponsors and patrons, whereas theatre – Shakespearean theatre in particular – is largely supported by its extremely loyal and enthusiastic audiences.

Q: Les Misérables really opened up the world stage for your theatre career. What is it like to direct Shakespeare in a different language?

JC: I’ve been very lucky with Les Misérables and the opportunities it’s given me. Thirty years later, and it’s still going strong. Who knew? Before Les Miz, I was used to my productions being tossed in the bin after a six-week run!

Since 2009, as the principal guest director at Sweden’s Royal Dramatic Theatre of Stockholm, I’ve directed A Midsummer Night’s Dream, The Tempest, The Merry Wives of Windsor and Romeo and Juliet in Swedish. I have developed great relationships with a team of translators and dramaturges and actors as we refine the text in workshop and rehearsal. I supervise the translation process. The challenge is that English has a huge vocabulary compared to Swedish; there are over 650,000 words in English because the language was fed by so many other source languages, and Shakespeare really loved to experiment and play with a whole new vocabulary all his own.

I’m also really enjoying working on Shakespeare in Japan. Earlier this year in Tokyo, I directed Twelfth Night – or Juni Ya – in Japanese. I love working in other languages and cultures. It makes the old, familiar texts completely fresh, and the audiences aren’t jaded: these stories are much newer to them, whereas in the West we can sometimes suffer from cultural fatigue.

Q: How are you finding your first Stratford experience so far? What can audiences expect from your staging of Love’s Labour’s Lost?

JC: I have been extremely lucky with the entire cast. Every single company member is highly talented and motivated. These are actors who really know and understand the language and how to use the verse. Even at the RSC, new young actors have to be taught how to do all of that. Training is key: I think your Birmingham Conservatory for Classical Theatre gives the Festival a unique advantage in honing the next generation of Shakespearean performers.

Love’s Labour’s Lost is a very “young” play – very youth-orientated, so having so many recent Conservatory students in the cast is wonderful. As a group, they have a lovely relaxation born of familiarity with one another and they are all extremely lively! No one seems to bring much ego to the party. I like that. Stratford as a whole seems extraordinarily calm and restful. I’m enjoying the “college campus” sort of feel the place has.

Love’s Labour’s Lost is also a very delicate play. The plot doesn’t add up to much, so you can’t load too much modern reference onto it without the danger of the whole thing snapping. The characters all delight in language-play that is rooted very much in its original era, so one would have to be very careful if one wanted to update it. Modernization of Shakespearean production is fine, but it has to have a solid reason or it doesn’t work. This play feels just right in its own time.

Love's Labour's Lost starts previews on July 30, and opens at the Stratford Festival on August 14. For more information on the production and to get your tickets, visit: http://www.stratfordfestival.ca/OnStage/productions.aspx?id=29391&prodid=57754 or call the Box Office at 1.800.567.1600.







Thursday, February 21, 2013

What Dreams May Come

Fuseli's 'The Nightmare'


I have extremely vivid, detailed dreams. Sometimes they can be terrifying, sometimes hilarious... or so teasingly authentic in the moment that I wake up feeling ripped off because my finances were FINALLY in good and abundant order! Meh!

Last night involved one of the more quirkily detailed meanderings of my bizarre subconsciousness. I was visiting a friend's new flat. They'd just moved into a place overtop a defunct restaurant on the high street of some touristy English town. The building dated back a few centuries, but it couldn't have been heritage listed considering what the landlords had done to it...

The Tudor facade was barely discernable beneath a horrible layer of 'decorative' corrugated metal sheeting covering the jutting top floor. The bottom half had been thickly coated with gobs of plaster resembling toothpaste and then glossily whitewashed to death, and the boarded up windows had tacky wooden shutters that I supposed were meant to simulate a sort of cheesy Swiss Alps effect. Flanking the former restaurant's doorway were a pair of matching built-in 'planters'. They appeared to be made from old metal feeding troughs, now badly rusted and full of random bits of rubbish. As my friend seemed unmoved by the appalling state of the place, I politely asked if the landlord was planning on restoring it to its original state. 'No,' they assured me. 'The restaurant itself was such a well-known destination in the '70s that they've decided to preserve it just as it is.'

At this point, they reverently waved their hand at the fading faux-Gothic lettered sign over the restaurant door, which read: 'Ye Olde Lithuanian Pilaf Markt'.

Huh? Talk about taking the concept of fusion cuisine to a whole new level! Why does my brain DO this to me?? I think I woke myself up giggling.

Mostly, I am grateful that I possess such a fertile imagination. The only time it can be a worry is when I experience a minutely detailed nightmare... dreams that are more like a 'night terror'. http://en.wikipedia.org/wiki/Night_terror The palpable sense of horror and fear is overwhelming, and my mind has conjured up imagery and situations that would make even the most ardent guts-and-gore horror movie fan throw up in their popcorn. I am grateful that such dreams are rare.

Sometimes, this can be handy. I have used dreams as a leaping off point for a short story, or as a section in my longer fiction. In 'Base Spirits', there's a segment which is more or less a blow-by-blow retelling of nightmare I had about my characters while I was writing an early draft. Having been haunted by increasingly horrific visions of Calverley Old Hall's tragic past during her stay, Clara finds she is unable to shut off her mind from the echoes of the terror left behind by the murderous former lord of the manor:


A new visitation--
Clara walks across the grounds toward Calverley Old Hall. Opening the door, she steps into the coolness of the front foyer as the door clicks shut behind her. She blinks to adjust her vision to the dim light. Two small figures slowly approach from the gloom at the base of the stairs.
  Children. The older child must be one she’d heard-- and felt-- die. He gazes up at her, his face pale, his dark eyes mutely pleading. At his side is a smaller child wearing an identical white sleeping gown. The children stand before her, holding hands and watching her expectantly. She cannot move. The boys drift forward as one, and each boy reaches out his free hand to clutch at Clara. She wants to back away, but pity for them holds her in place. Clara glances down and watches their fingers sink into the indigo silk of her gown’s voluminous skirts.
       “Mama-- ”
  A loud thud on the floorboards upstairs cause all three of them to jump. The boys’ sad eyes stare up at the ceiling.
        “It’s Papa-- ”
         The familiar voice of the eldest child echoes in the back of her skull, just as the Woman’s had in the clarity of her last dream. The children’s fingers tighten on the folds of her dress.
“Stay with us. Bear witness.”
         Heavy footsteps pound toward the top of the stairs. A voice booms out:
  “Are you there with thy bastards, whore?”
         Clara yanks her skirts free of the boys’ grasp and dives for the door. The abandoned children follow, their mouths open in silent wails. She feels sorry for them, but she does not wish to stay and face the man they call Papa. Wildly, she tugs at the door-handle, feeling the cold little hands reach for her, as the heavy boots stomp down the stone steps. The door holds fast. The children begin to scream. The man’s voice is right behind her, shouting:
           “Whore! Whore! Whore-- ”

            “Wrroof! Woof-woof-- ”
            A dog barking outside summons Clara back.

~ From 'Base Spirits'- Chapter Six
Kindle: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E
Kobo: http://www.kobobooks.com/ebook/Base-Spirits/book-bVfWrCigB0qRm6jfFq_MhQ/page1.html
Paperback: http://www.amazon.com/Base-Spirits-Ruth-Barrett/dp/1453643001

Today, after my weird mental wanderings, I'm find my waking imagination is unusually fired up. I'm currently working on 'In the Bag'-- book one of The Dead Drunks mystery series-- and this morning I could barely keep up with all of the ideas and plot twists and character revelations pouring down into my skull from wherever my Muse lives. I feverishly made notes and sketches for multiple scenes... finding new answers to resolve nagging plot puzzles and story gaps at every turn.

No, I am not going to set a scene at 'Ye Olde Lithuanian Pilaf Markt.'. Maybe I should!

What about you? Have you ever felt so inspired by dream imagery that you incorporated it into your fiction? Tell us about it!


Wednesday, December 19, 2012

Silly Season

My tree!

Ho ho HOLY CRAP! I have been dreadful at posting lately!! A thousand apologies.

Life does get in the way. I have a lot of illness and worry in my family these days, and my energy is better spent elsewhere.

Writing DOES continue apace. I have a new, true ghost story just out in Jeff Bennington's CREEPY 3 anthology. Christmas is the traditional time for ghost stories, and there are some nice spine-tinglers in this collection. Check out mine: 'The Watcher in the Woods' about an apparition I saw just after my own near-death experience. http://www.amazon.com/Creepy-Collection-Stories-Series-ebook/dp/B00AKYD120

Another ghostly short story turned into a fourteen thousand word novelette! 'In Sarah's Room' is a period piece... a creepy slow-burn of a ghost story in the tradition of M.R. James. This anthology (tentatively entitled TREADING CLOSE BEHIND) was also aiming for a Christmas release, but the consensus of the authors means that we'll likely be releasing it through a small UK publisher instead, hopefully not too far into 2013. Look for great dark stuff from B.L. Lloyd, Shalini Boland, V.R. Christensen and myself, to name a few...

Meantime, if you're doing your holiday shopping, books are always a good choice!

BASE SPIRITS is perfect to read whilst shivering by the fireplace...
In paperback- US: http://www.amazon.com/Base-Spirits-Ruth-Barrett/dp/1453643001 Also in the UK: http://www.amazon.co.uk/Base-Spirits-Ruth-Barrett/dp/1453643001
In e-book format- Kindle US (but also everywhere else where Kindle is marketed!) http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E
All other e-book formats at Smashwords: http://www.smashwords.com/books/view/84640

I have received Scrivener ( http://www.literatureandlatte.com/scrivener.php) as an early Christmas gift, so I'm hoping it will help streamline my fiction writing process. I aim to have the first book of THE DEAD DRUNK mystery series IN THE BAG done over the winter. There's not much else to do in Stratford over the snowy months!

I wish one and all the very best of the season and a brilliant 2013. May you be surrounded by love, abundance, and good health. Enjoy every minute with your family and friends. Make merry. The rest is just so much noise.

Thursday, September 20, 2012

Haunted House Virtual Tour with V.R.Christensen and B.Lloyd


Dig into the past... if you dare.


As promised, some lovely guests! Old houses hold secrets (as shown by Calverley Old Hall in Base Spirits... http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E) If you're reading this blog, you yearn for tales such as these... and so here is a stop on a virtual Haunted House tour... ladies? You have the stage.


This time, on the Haunted House Virtual Tour promoting our ghost novellas Blind and Ungentle Sleep (by V.R.Christensen and B.Lloyd respectively), it’s a bit of a cross-over: characters from one book visit the house from the other… if that doesn’t make sense yet, well, try reading the novellas and maybe it will…


***

‘There have been stories, well, like so many of these old places of course, but nothing you need take any notice of,’ said the house agent smoothly, as he escorted his latest clients around the house.

Newly-weds, he guessed, just back from the continent. She looked ... a trifle nervous, Dark shadows under the eyes, denoting sleepless night. The husband, protective. ‘My wife is in need of somewhere quiet, peaceful. We were in the area, caught sight of it and thought we would see around the place.’
‘What sort of stories, exactly?’ asked the lady.
‘Well, you would need to ask Mrs Beadsley, she was housekeeper to the last occupant and comes in to air the place and keep an eye on things generally. But stories they are and no more, I am sure.’
‘Not a happy house, then?’ pursued the lady.
The agent was a little taken aback by this, but quickly collected himself.
‘It has never remained empty for long – and with the female touch, and a little care, you will find it makes an excellent family home..’
‘Why did the last occupant leave?’
‘I believe he found occupation elsewhere which necessitated much travel and decided to relinquish it as a result. And now, can I show you the dining room? The drawing room? And then perhaps upstairs?’
 They viewed the dining room, followed by the drawing room, which was the house agents particular pet and one he particularly like to show to advantage: ‘A rare timepiece, I think you’ll agree – everything kept in the old style, some quite rare pieces, which are becoming increasingly difficult to find …’ To the agent’s satisfaction they reached the upper floor without further questions. Comments were more along the lines of ‘comfortable, spacious, well-lit’ – much more in his line of business.
‘And here is the master bedroom,’ he declared, sweeping the massive oak door back on its well-oiled hinges and extending an all-embracing arm to indicate the painted ceiling, the oriental carpet, the four-poster bed, the curtains, the armchair by the fireplace. A movement by the curtains caused him to purse his lips and he strode across the room in order to close the window.
‘Mrs Beadsley, airing the rooms as I said, no doubt forgot to close the window … ah, this appears to be a little sticky – well, that can soon be fixed …’
He turned to see the husband half supporting his wife who seemed barely conscious. The two men helped her to a chair.
‘Dear, dear, perhaps a little fresh air …’suggested the agent.
‘It’s nothing, it has passed already,’ said the woman, sitting up straight suddenly.
‘Who lived here originally?’ They asked the question together.
‘Well, it belonged to the Tremonton family in the 19th century, but the line died out with the last incumbent, and so it came through a series of hands to be on the market by 1900. Now, if you’re sure you’re quite recovered, perhaps we should …’

The agent felt uncomfortable as he watched the couple walk up the drive. Still, you can’t win them all, he mused briefly, before proceeding to lock up.

Once they were well clear of the grounds, the lady turned to her husband: ‘I knew there was something wrong the moment I stepped through the door – there was a man sitting in the armchair by the fireplace, staring straight ahead; I saw the agent pass straight past him, without a word – and you also did not see him. But what most disturbed me . . .’
‘Yes?’ asked her husband.
‘The eyes. Opaque, sightless. Staring. I think that is what made me faint. Then when I came round – there was no sign of him.’
‘Well, I think after your recent experiences at home, it would be advisable to look elsewhere for a house to live in, my dear, don’t you?  I don’t think Tremonton Manor would quite fit the bill, do you?’
‘I suppose not. Although . . . ‘
‘Yes?’
‘I do wonder what become of him. The last of the Tremontons …’

***

What did happen to Tremonton indeed? And what had been the wife’s previous experiences? If you are curious, read these to find out :

Blind, by V.R.Christensen

And

Ungentle Sleep by B.Lloyd

Links :

Blind : US http://www.amazon.com/Blind-a-novella-ebook/dp/B007E3SNJ6
Blind : UK http://www.amazon.co.uk/Blind-V-R-Christensen/dp/0615598005

Ungentle Sleep : US http://www.amazon.com/Ungentle-Sleep-ebook/dp/B008VIJFLI
Ungentle Sleep : UK http://www.amazon.co.uk/Ungentle-Sleep-ebook/dp/B008VIJFLI

Sunday, July 8, 2012

Confessions of a Writer


The Work In Progess...


I have not been blogging all that much of late.

In fact, I've pulled back on Twitter, KDP, Facebook groups and anything that smacks of the treadmill of marketing.

I confess: I sort of lost heart. For months and months, I pushed and prodded and presented my most upbeat positive self... and barely budged my sales. It was depressing. The fact that my 'day job' of descriptive video script writing has gone from slow to nil lately didn't help my mood. I figured people didn't want to hear about it if all I felt like doing was whining about crappy sales and pounding my head against the wall about the vagaries of self-promotion.

That much is true: no one wants to hear me bitch!

Things will look up. My day job work will resume this month, so at least I won't be without income for too much longer. That's a scary place to be. I don't wish it on anyone.

I'm still not in a totally fantastic mood, frankly. But I also can't ignore my blog. That doesn't accomplish much of anything! I promise to post more often moving forward into happier, more optimistic times. I have some special guests coming up soon, and I'll try to be inspiring or at least entertaining.

The other big reason I've not been spending so much time on social networking and platform building is because I've been WRITING. Remember writing? You know, that thing authors do so that we have books to market in the first place? Yep. I'm waist-deep in Book One of The Dead Drunk mystery series In The Bag.

If you are excited to get your hands on my new book, I'm grateful. But? Please don't hold your breath. I don't rush when I write. I'm not about crankin' 'em out and slappin' 'em up on Kindle. I want to work until I have the best possible version of In The Bag before I foist it upon the world of paying readers. That will mean at least a few weeks more hard work before I show this draft to my editor, and start that whole fun process of rewriting and polishing. Once that's done, there are at least three other titles in the series that have already been planned out or started.

And then will I self-publish The Dead Drunks?

Frankly, I'm not so sure. This has been liberating in a lot of ways. It's great to have total creative control and reach readers world-wide. I've loved getting to know some of the truly amazing, talented and supportive folks on the Indie scene. Overall, reviews for Base Spirits and my Kindle short story 'Family Secrets' have been outstanding. And sure: the theory of earning a whopping 70% in royalties is wonderful... but the harsh reality has been a mere trickle of money. In my case. So far.

I won't turn my back on the Indie route. There are plans to contribute to an Indie ghost story anthology later in the year with a handful of other quality authors. It's an interesting project, and I like the idea of collaboration. I still have a bunch of previously published short stories that I intend to polish and publish individually on Kindle-- with an eye to eventually bundling them into a collection.

Traditional vs. Indie. Does it have to be either/or? I don't think so. I think what authors have now more than ever is the freedom to choose. I believe in getting help in the more traditional sense with a commercial mystery series if I want things like translations and film or TV rights (and I bloody well do want those things!) I know there are some rabid/stubborn/successful Indie authors out there who will scream at me not to bother with the 'old ways', but to them I'd like to say with respect that I'd like to give it a shot. I DO know what I'm up against, believe me. Been there, done that. But I've learned a lot of lessons over the past year, and I'd just like to see what happens this time around. Maybe that's foolish or masochistic, but please humour me. I may end up Indie publishing after all. No shame in either method. Let's see what happens.

So for now, I promise I will pay more attention to my blog. I'd like to spend my energy primarily on writing, but I also know that I need to keep my platform current and active. Mea culpa. I'd also like to see what the effect of getting more good reviews has on sales and word of mouth rather than engaging in endless rounds of Tweeting and hopping and waving my virtual arms in the air. I just need a break from the marketing madness. I believe in my work. Its time will come. 

If you'd like to read and review my writing, here are my links:

For a spooky full-length chill ride, try Base Spiritshttp://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E

For an unsettling short read about a family's dark side, here's 'Family Secrets'http://www.amazon.com/Family-Secrets-ebook/dp/B007D8TLP2

See? I'm done sulking. I'm back. I'll see you soon.

Wednesday, June 13, 2012

Marketing is Hell!



I know, I know. "It's a marathon, not a sprint" blah blah blah. I get it.

The thing is, my personal marathon has been going on for well over a decade. I've been writing stories all of my life, and seriously working at this 'writing-to-publish' gig in one way or another since 1999. I've had a bunch of short stories published, won a few prizes, and been awarded a grant. I've studied English Literature and creative writing. I've always been a voracious reader, and carefully studied and honed my craft. I'm still honing: I don't think any writer should ever sit back and say "That's good enough" and rest on their laurels. That's cheating.

Yes, I went the traditional route with endless rounds of agents and publisher queries. I even had an agent at one point, but we were not a good team. The traditional route is a baffling one. A lot of people at Big Six publishers liked my writing and encouraged me, but no one went that extra step to publish it.

Yadda yadda yadda.

Fast-forward to the Indie Revolution and the breath of fresh air it offered as a way to reach readers. I was ready to give it a go, so I did. I finally presented 'Base Spirits' after professional editing and formatting and getting some kick-ass cover art. For the most part, I've enjoyed the process and all the fabulous, encouraging people I've been meeting along the journey. I've had great feedback and reviews from readers from all over the world. Yay!

But?

I have to come clean. Marketing-- for me-- is pure, unadulterated HELL.

I've carefully followed examples and taken suggestions: giveaways, KDP Select, contests, blog hops, guest interviews (both giving and hosting), blogging, Facebooking, Twittering, Triberr, Goodreads, cross-promotions, layered marketing etc. ad infinitum. I am not renewing my KDP Select after this round. I fear that the e-book market has been saturated with all the freebies to the point where a great many readers just expect us to hand over our hard work for nothing. If one has a large backlist, it makes more sense: one book helps introduce your writing to the world. I may revisit it once I have more ready to publish.

It's still the Wild West for Indie Publishing. What used to work as a 'surefire' marketing or promotional tool last month may not work now. I'm not bitter-- just sort of baffled. I admit it. It's a mystery.

I've decided I am more interested in writing books than standing on a virtual street corner wearing a jester's hat and making balloon animals for passersby who really couldn't give a toss. So for now, please forgive me while I happily type away on Book One of the Dead Drunk Mystery series. I'm not giving up: I just need to write books instead of spending hours a day on social media.

What I am trying to do is get more reviews. I think reviews are a good idea for the long haul. Readers are much more likely to be impressed by a decent third party review than any clever Twitter blurb or barely-disguised subtle plea from me to give my work a try. I've been pretty lucky so far: most of the 21 Amazon reviews to date have been stellar. Now I'd like to concentrate on being reviewed further afield on blogs and websites.

In fact, if you are a reviewer or book blogger reading this and you'd like a free review copy of either 'Base Spirits' http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E or my short story 'Family Secrets' http://www.amazon.com/Family-Secrets-ebook/dp/B007D8TLP2, I'd be more than happy to send them your way. Please leave me your e-mail in the comment section below.

Now back to our regularly scheduled marathon...


Tuesday, May 22, 2012

A Taste of 'Base Spirits'


Enter the Darkness...



Taking a chance on an Indie author is risky for readers. I get that. I've been burned myself by buying underdeveloped, poorly edited, and just plain badly written books. But here's the thing... it's not all poo. Really! There's gold in them thar hills. I've also discovered some excellent Indie published books: writing rejected by the bean-counters and gatekeepers of traditional publishing. Indie books are also cheap as chips... hours of amazing entertainment for a few measly bucks. Far more often, I have also been burned by paying top dollar for top selling authors published by the Big Six. I don't know about you, but I'd rather chance a new discovery for the price of a specialty coffee than fork out $20 for a crappy bestseller. Still hesitant? Savvy Indies make samples of their books available through Amazon's 'Look Inside!' feature, and even give their books away free from time to time.

I've done that. As a result, I know I reached a wider audience... maybe. Lately, I'm feeling a bit cynical. I think there are a lot of readers out there who are perhaps being trained to think that Indies aren't worth paying for if they can just wait it out and grab freebies by the armload. Will all of these folks read my book? Maybe. Maybe not. I'll bet they have hundreds of e-books downloaded and may not get around to mine for months. I hope some of them read it... review it... and tell a friend about it.

I'm going to be honest. Sure-- it's great that people are scooping up my book whenever I make it free... but guess what? I'm attempting to build a career, and I am aiming to make at least a partial living with my fiction. I think it's a bargain at a mere $3.99. I admit I've been baffled by marketing... so here goes another blog post! Currently, I am writing a new novel In The Bag -the first of a projected series of character-driven crime novels: The Dead Drunks. Meantime, my short story Family Secrets http://amzn.to/GUbPPN and my first novel Base Spirits are getting excellent reviews.

Now I'd like you to take a chance, dear prospective reader.

Here's the blurb for Base Spirits, followed by a teaser from the opening chapter (Note: the cut and paste into blog form messed the formatting slightly-- the actual book has impeccable formatting and editing). Give it a read. If you like it, please follow this link and download your very own shiny Kindle copy http://amzn.to/wQ1ms4. If you are a person who loves the tactile experience of reading an actual book, here is the paperback link: http://amzn.to/HukdEZ If you like fast-paced ghostly chills wrapped around a fascinating and brutal historical tale (think Possession meets The Shining), this may just float your boat...

‘Murder has took this chamber with full hands And will ne’er out as long as the house stands.’ 
~A Yorkshire Tragedy, Act I, Sc. v 


In 1605, Sir Walter Calverley’s murderous rampage leaves a family shattered. The killer suffers a torturous execution… but is it truly the end? A noble Yorkshire house stands forever tarnished by blood and possessed by anguished spirits. Some crimes are so horrific, they reverberate through the centuries. 
As an unhappy modern couple vacation in the guesthouse at Calverley Old Hall, playwright Clara, and her scholar husband, Scott, unwittingly awaken a dark history. Clara is trapped and forced back in time to bear witness to a family’s bloody saga. Overtaken by the malevolent echoes, Scott is pushed over the edge from possessive husband to wholly possessed… Inspired by a true-life drama in Shakespeare’s day, this is itself a play within a play: a supernatural thriller with a historical core. 
Only one player can survive.



York, England, 1605

Sir Thomas Leventhorpe had failed the victims in life. He could not fail them now.

            Though he longed to be anywhere else that August dawn, his choice was irrefutable. The noble family murders had left him as the village of Calverley’s highest-ranking citizen, and he bore a duty to witness the conclusion of its history’s most tragic chapter. It was his sacred charge to stand present for those innocent lives cruelly dispatched by the very man that should have loved them most.

He lingered in the stark main corridor of Clifford’s Tower, waiting to accompany the killer on his final procession. There seemed to be a delay. From what Leventhorpe could gather, the entourage was incomplete. He glanced about the small, silent group and caught the eye of the anxious man standing at his side-- the only other soul afflicted with first-hand knowledge of the horrors that had led them to the Tower. Leventhorpe ventured an encouraging smile at the murderer’s former servant, but John's pale, scarred face was stony. Sir Thomas touched the younger man on the shoulder and felt him quivering like a nervous beast, his arms tightly wrapped about himself in a desperate embrace. The brutal April morning at Calverley Hall had shattered John. Withdrawing his hand, Leventhorpe wondered why the lad had come to this dread place to be reunited with his nemesis. Perhaps in his own way John had no choice but to see the tragedy through to its conclusion. Leventhorpe could offer him no real solace but to share the burden of bearing witness.

In the Tower’s stairwell door, a grizzled magistrate stood lost in thought, tugging gently at his beard. The elderly head gaoler, Master Key, waited outside the prisoner’s cell door. A younger, assistant gaoler tapped his foot loudly against the flagstones and glowered toward the doorway at the opposite end of the corridor, a sneer playing on his lean face. Turning to his superior, he grumbled in a low voice:

“That idiot boy is late again-- and today of all days! I say we have tarried long enough.”

Master Key held up his hand. “Be thou patient, Jack. The magistrate is not yet concerned with the time. Hugh must be present to learn the proper order of how matters proceed.”
         
Leventhorpe’s skin prickled at the thought. He dreaded having to witness the ‘matter’ in question, and felt pity for the unseen boy who would today be taught the finer details of his trade.  
     
Footsteps pounded up the outside stairs and-- as if overhearing his cue-- a scrawny lad of no more than twelve skidded into sight. White-faced and out of breath, Hugh blanched still further as the men turned as one and fixed him with expectant looks. Giving an awkward bow of his head by way of apology, he staggered as he took a halberd down from the wall hooks. Jack strode over to collect the apprentice and hauled him into place by the ear. Leventhorpe was close enough to hear the gaoler’s hissed threats.

“Yer in luck, boy. The magistrate himself was late to rise, else ye’d be wishin’ ye could trade places with our esteemed prisoner.”

Master Key shot his underlings a sharp glance from beneath his heavy grey brows and they ceased their disruption. Key unlocked the door, and he and Jack entered the cell. Leventhorpe heard the muted clanking of chains and after a moment, Sir Walter Calverley was led out between the two men.

Leventhorpe’s stomach twisted at the sight of his former friend and neighbour. He caught John by the arm, steadying him as the lad’s knees buckled. Neither had seen Calverley for months-- not since his hellish rampage. Although Calverley was thin and drawn, he held himself with dignity. He wore a fine black doublet, and his lace cuffs and collar gleamed in contrast to the gloom of the corridor. Leventhorpe couldn’t help but think that Calverley was very well dressed for a dead man: he must have set this outfit aside in anticipation of the occasion. Calverley did not so much as glance in their direction.

Master Key cleared his throat and nodded to the magistrate. The procession began its descent into the bowels of the Tower, the close quarters of the stairwell making for an awkward single-file progress. The stately magistrate set a careful pace for those behind. Leventhorpe and John followed next, with Master Key leading Calverley. Jack and Hugh took up the rear to prevent any chance of the prisoner’s escape.  
         
Time of day carried no meaning as they moved down into the still depths of the Tower. No one spoke: the only sound was the scuffling of heavy-booted feet. Flickering torches from the wall sconces lit the way, casting long, dancing shadows on the muted grey stones. Leventhorpe had the sensation of being buried in the earth as they moved ever deeper. He kept his eyes lowered, mindful of the uneven stairs, eroded by countless footsteps over several lifetimes. Suddenly, a rush of iridescent green-and-black beetles scattered out of the men’s path. Leventhorpe felt a brief flash of delight to see something so lively-- these animated jewels-- existing in such a bleak place.

At the foot of the tightly coiled stone staircase lay a narrow, low-ceilinged passageway. Leventhorpe glanced along a seemingly endless succession of closed doors and gaping antechambers. Today’s method of execution-- ‘peine forte et dure,’ less elegantly known as ‘pressing’-- could take several hours. His throat constricted. Already he found the dank air putrid and hard to breathe. The clammy walls, coated with an orange mildew, gave off a pungent odour. Here and there between the cracks in the stones grew a strangely pretty fungus with pale yellow flowers. Leventhorpe touched a curious finger to a cluster of the petals as he passed by. They disintegrated instantly and left a lurid smear on his fine lace cuff.

Lord, I pray this ends quickly--

At last, the magistrate came to a halt and peered around to catch the eye of Master Key. Jack and Hugh stepped ahead to replace their Master’s hold on the prisoner. Hugh’s hand clearly shook as he tried to get a firm grip on Calverley’s arm, but he was met with no resistance: Calverley kept his manacled hands clasped before him in the manner of a clergyman and focused his dark eyes into the shadows at the far end of the passageway. Leventhorpe was again struck by the man’s poise. Of those present, he seemed the least moved by what was about to take place.
        
Fumbling at his belt for an oversized key, the old Master slipped to the front of the group to unlock the low, windowless portal. He heaved his stooped shoulder against the recalcitrant door and swung it inwards. The magistrate ducked his head as he entered the chamber, followed by the others. As Key lit the torches in the iron wall sconces, Leventhorpe blinked and looked about the room. A wide plank of coarsely hewn oak leaned against one wall. Beside it was a heap of stones, each roughly the same size-- twelve to fourteen pounds in weight.  Four iron rings were set into the flagstones in the centre of the floor. The room was otherwise barren. Once the condemned man was safely inside, the door was shut and bolted. Leventhorpe felt trapped.

“Make him ready,” said the magistrate.

As placidly as a docile horse, Calverley allowed himself to be taken by his chains and roughly stripped by Jack. The assistant gleefully assessed the clothing as he folded each item. Handing the garments over to Hugh, he winked at the boy’s dumbfounded expression.

“For safe-keepin’, lad. A boon for me. They’re about my size-- and he won’t be needin’ ’em in Hell now, will he?”

Leventhorpe was shocked by the outrageous theft but no one else seemed fazed. It must be routine in such matters, he thought. Perhaps it was considered part of the assistant’s payment.

Calverley was made to stretch out face up on the cold floor. A jagged stone was placed underneath the small of his back. His ribs standing out in sharp relief, he arched his body upward to accommodate the work of Master Key’s calloused hands. The prisoner’s long limbs were pulled into a cruciform position and shackled to the iron rings. At a quick count of three, the two gaolers heaved the plank from where it stood. With a grunt, they laid it over top of Calverley’s naked torso. The strain showed immediately in his breathing.

From where he stood, Leventhorpe had the clearest view. Only the doomed man’s face was visible at the top edge of the plank. Leventhorpe looked closely at his one-time friend. Calverley’s full lips were parted as he gasped from the burden already on his chest-- and the anticipation of what was soon to come. Beads of perspiration dotted his moustache and beard, and sweat soaked the thick waves of his dark hair. Leventhorpe felt sick with pity. For all that Calverley had so brutally performed to visit this fate upon him, his serene determination from the outset to lighten the work of his own executioners gave him the aspect of a martyr.

Perhaps he hath repented. Will he at last speak his mind to the Law?

Leventhorpe could not catch his eyes to ask this silent question. Calverley had disconnected. He fixed his unblinking gaze on the grimy ceiling, entombing any emotion he may have felt deep within and unreachable.

The magistrate stepped forward from the corner, where he’d been absorbed in the examination of loose threads on the hem of his cloak. He had paid little attention to the tasks of the others. Master Key pulled his apprentice out of the way and made him drop the bundle of clothes he’d been hugging to his chest.

“Ye’ll need to keep yer hands free now, son.”

The nervous boy leaned his halberd against the wall, where it slipped along the moisture and clattered to the floor. Already skittish, Leventhorpe and John started at the racket, and John pressed up against his back as if to be shielded from the very Devil. The magistrate clenched his jaw and waited for the echo to subside. He spoke in a strong voice that belied his great age.

“You had your chance to speak before the Assizes. You chose silence. I therefore put it to you here and now for the Crown, and before these good men: Sir Walter Calverley, how do you plead?”

Leventhorpe stood waiting by his friend’s head. John’s nervous breath was hot on his neck.

There came no reply from Calverley but laboured breathing.

“Very well-- ” The magistrate stepped aside and nodded to the gaolers.

“Lay on the weights.”

Monday, April 2, 2012

Scott Nicholson Shares Tips for Indie Authors!



A lot of authors have made the same comparison: we have all found the world of Indie publishing to be like the new Wild West. It’s exciting! There are no set rules, and every author can gallop across that open plain into the sunset without an agent or a publisher telling them what they can and cannot do. Gatekeepers? We don’t need no stinkin’ gatekeepers! Yee-haw!

Maybe not… but some guidance sure would be nice. Gets a bit lonesome and scary out in the middle of nowhere, just you and your horse… er… book.

(Quick commercial insert here: As a result of the marketing tips I've gleaned from my blog guests, Base Spirits is currently on at 99 cents! http://amzn.to/wQ1ms4 )

For the next two blog posts, I am pleased to be hosting the authors of two of my favourite Indie guides. The Indie Author’s Guide to the Universe by Jeff Bennington (http://amzn.to/H9XrSa), and The Indie Journey: Secrets to Writing Success by Scott Nicholson (http://amzn.to/HGMyse) are must-reads for any Indie author. Not only are both books packed full of great ideas, practical tips and inspirational moments, they are a delight to read. The authors’ true voices come across loud and clear: these are two engaging men who approach their subject with heart and humour. You couldn’t ask for better companions out there on the Frontier.

But don't just take my word for it-- read for yourself! Scott has very kindly provided a free e-book to give away. Just leave a comment below, and Tweet or otherwise share this post to win!

Scott Nicholson is a prolific author of dark fiction, and you can find out all about his books and contact Scott here: http://www.hauntedcomputer.com/. There are too many books to list, but some of my own favourites are The Red Church, Drummer Boy, The Vampire Shortstop and Creative Spirit. Scott has been out and about on the traditional publishing route as well over the years, and that background certainly informed his own Indie journey. His invaluable experiences are generously shared in The Indie Journey: Secrets to Writing Success.

Welcome, Scott!

1- First off, tell us why you decided to write this helpful guide. 

I'd seen so much attention placed on rankings and money and trad-pub hate that I wanted to present a more philosophical approach, focusing on happiness as the goal instead of the latest tricks to game the Amazon algorithms. Algorithms constantly change, but a metaphysical and spiritual satisfaction with your career never fades.

2- Let’s jump back in time: if you were just starting out on your own Indie journey, what are the top three things you wish you had known from the outset?

1. Jump in earlier and with both feet. 2. Be fully committed. 3. Don't get caught up in the noise.

3- a) What was your biggest misstep? 

I sat on the sidelines for at least six months waiting to see where the Kindle was headed, trying to get agents to sell my books and all that. And I was still talking with agents the first six months after I put in a couple of books, and I was holding out books to try to sell the old way. That was foolish in retrospect.
   
b) How did it make you feel? 

My generation of writers was trained that only hacks self-publish and that it kills any chance of a "real career."

4- a) What was your greatest triumph? 

Fulfilling my only real writing goal of being able to do this for a living.

b) You’ve had some great success along the way. What makes this the most outstanding example? 

Because I never required stardom or the ego baggage, only the satisfaction of the universe making room for the thing I loved to do. I accept that as proof that my writing has enough value to others to be worthwhile.

5- What is the best thing about being an Indie author? 

Wearing ratty sweatpants to work.

6- There’s a dark side to everything in life… so how about the worst thing? 

The firm belief that this digital era will not last in its current form, and the uncertainty ahead. Of course, that is also a joy, too.

7- Obviously, you have the experience of having been published traditionally as well as going Indie. What do you think are the top benefits of each route? 

Trad? Your book in a store, which is still cool even if less useful to sustaining a career. Indie? You get paid every month and the boss doesn't suck, hopefully.

8- Last but not least… what’s next for Scott Nicholson?

I am launching a Kindle giveaway site http://ebookswag.com/ because I believe free books are not only here to stay, they are going to become the dominant model. And writers might want to figure out how to monetize the next era if they want to continue writing.

Thanks for your time, Scott! 

Remember to leave a comment/share this post to enter the draw for Scott's book... and for more great swag and free books, drop by http://ebookswag.com/ !

Friday, March 30, 2012

On Writing Devastating Scenes

Print from A Yorkshire Tragedy


I did a bit of soul-searching this week.

On his blog, my fellow author James Garcia Jr. recently featured his reactions to Base Spirits. He very eloquently tackled the question of the infanticides as portrayed in the novel, and I really appreciated his comments. I disturbed him. I made him angry. But? He stuck with the book and pushed on past his own discomfort because he wanted to find out what happened, and because he admired my writing.


"I am positively reviewing this novel for two main reasons. Barrett writes with beautiful prose and she nailed everything that was required of an author doing a period piece. That's what got me through the unsavory subject matter of abuse, as well as the murder of those beautiful children. When Clara and her husband were in present day, we were there with them. It was present day; anyone could pull that off! More importantly, however, when Clara began seeing through Lady Calverley's eyes, Barrett was able to fully transport us there, too. She nailed the culture, the dress, the language, the pacing, the lifestyles - everything! I found myself thoroughly impressed with Barrett here, and am convinced that no one but a master could have pulled that off."

I am truly humbled by his reaction and his high praise. (You can link to the rest of James Garcia Jr.'s blog here: http://bit.ly/H3Bwjg and his Facebook page is here: http://on.fb.me/H6DAjg ) Thank you, James. It means a lot coming from you.

I want to know how others feel when dealing with the dark side, and to that end I'm offering Base Spirits at a deep discount of 99 cents for a limited time: http://amzn.to/wQ1ms4


That difficult reaction is the sort of thing I really need to hear about as a writer. I've been lucky to have had mostly glowing reviews on my Amazon page, on review blogs, via e-mail and in person. Only two poor reviews so far, and those readers just didn't get into the concept. (That's fair- not everyone's going to love what I do.) I am heartened when I hear things like 'I couldn't put it down' or 'I sat up all night jumping at sounds' or 'Freakin' amazing!'. That pleases me. I like hearing comments like those.

But when I have made someone truly uncomfortable with the subject matter-- or with the brutal portrayal of the murders-- it gives me pause. Years ago, I had a good friend give an earlier draft a beta read... and he couldn't get past the murder scene. I really upset him. He had two children about the same ages as Will and little Walter at the time, and he was horrified. Not a 'scary monster in the attic' kind of horror reaction, but HORRIFIED. I remember feeling guilty for upsetting him so much. At times, that has given me pause going forward with the book itself. If I had that strong sort of visceral reaction from my oldest friend and fellow writer, then what would other people think of me? I didn't want readers to think I was some sort of monster who derives pleasure from tackling the harsh subject matter.

(As a sidebar, my old friend has since re-read the novel and really admires it.)

The scenes of abuse and violence were wrenching for me to work on. I felt sick a lot of the time. I hated that these things happened-- really happened-- to this family in 1605. But they were true events at the heart of my story. How could I shy away? There is no easy or 'nice' way to portray a murder.

If Base Spirits was a screenplay (and it may well be... stay tuned!), I would have handled it differently. That's the joy of filmmaking: you visually suggest something, and the viewer can fill in the rest with more truth and horror in their imaginations than any special effects can. I'm not a huge fan of over-the-top splatter onscreen-- sometimes it's necessary, and sometimes it just becomes cartoonish and goofy and doesn't serve the story. It depends on what effect you want to make on the audience.

In a novel, a writer needs to paint a picture. It was a very unpleasant and disturbing picture for me to paint. I played the mother of these children-- the wife of the abusive killer-- onstage. I had to go somewhere very dark deep down within myself and 'feel' all of that anguish. The fictional retelling had me right back there in the pit. It wasn't easy. But I was compelled to write the novel.

In the end, that's the answer of why I didn't shy away: I've elicited a true gut reaction. Isn't that what art is meant to do? Yes, it entertains us and makes us use our imaginations... but if it upsets you, it is reaching you at a deeper level. And as another Canadian writer Timothy Findley once said: "We are all of us a hiding place for monsters".

What do you think?

Why not judge for yourself? I'm putting Base Spirits on sale for 99 cents for a limited time. Here's the Kindle link again: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E

Thursday, March 22, 2012

Who Here Likes Book Trailers?

BASE SPIRITS.... the Trailer! (And another is on the way... )



So... my friends at Authors Anonymous made a trailer for 'Base Spirits' not too long ago. Authors Anon has a splendid website that is a joy to visit. They are passionate about showcasing quality Indie authors, and their site is chock full of interesting discoveries and spotlights on some wonderful writers, as well as helpful links. Have a look: http://authorsanon.wordpress.com/ Who knows? Maybe you could be a 'spotlight' author yourself one day. If you think you might be a good fit and you like what you see, why not get in touch? They're very welcoming.

I've had an offer from my cover designer, Neil Jackson, to make another trailer for me. I'll be sure to post it here once it's finished.

As an author, it's very interesting to watch a trailer about your own book. In the case of the one posted above, there are images from the actual real-life location of the story along with the teasers. I think the atmosphere is creepy. Hopefully, it does its job to make the novel sound intriguing enough for a reader to go grab a copy.

(Insert clumsy segue to book links here... )

For Base Spirits e-books: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E
(In the UK: http://www.amazon.co.uk/Base-Spirits-ebook/dp/B005L38G8E
Available in paperback for all: http://www.amazon.com/Base-Spirits-Ruth-Barrett/dp/1453643001

Back to the trailer question... I was watching a podcast about marketing, and the rather obvious point was made that a trailer for a book works exactly like a movie trailer. It is meant to create buzz and arouse your interest... make you want to rush out and get that amazing novel. Likely the most effective timing for a trailer to hit the Web is before the actual launch date... but as those of you who have been following this blog must know by now, my adventures in the Wild West of Indie publishing have been very much a 'learn-as-you-go' process.

How do you use a trailer to your advantage? Who among you has a book trailer, and how have you found it as a marketing tool? Where have you posted it?

I stumbled across Galleycat last week... and I admit I haven't had time to take a good look at it yet... but it might yield some answers. http://www.mediabistro.com/galleycat/reddit-adds-site-for-literary-videos_b48661 They also seem to offer a lot of good writers' resources in general, so do go poke around and see what you can find.

What do you think? Are book trailers useful at attracting readers? They are fun for the author-- somehow it makes the book seem more 'real', in a way. But are they fun for anyone else?

Tell me what you think.

Tuesday, March 13, 2012

Oh, the Horror! March 14/15th.



Blame it on the Ides of March, or March Hare madness, or even a foolish whim... but some fellow horror writers and I are giving away FREE e-books to help prolong the chill in the air! We are keen to share our writing and want to reach new readers. I had a great response to my last Base Spirits giveaway, so I figured it would be fun to get together with a few other indie authors and spread the joy. Well... maybe 'joy' isn't really the right word for these truly terrifying titles on offer!

Remember: check the dates before you download. These are limited time offers, and we'd hate to disappoint you.

March 14th and 15th: Base Spirits is free on Kindle! 'In 1605, Sir Walter Calverley’s murderous rampage leaves a family shattered. The killer suffers a torturous execution… but is it truly the end? A noble Yorkshire house stands forever tarnished by blood and possessed by anguished spirits. Some crimes are so horrific, they reverberate through the centuries. As an unhappy modern couple vacation in the guesthouse at Calverley Old Hall, playwright Clara, and her scholar husband, Scott, unwittingly awaken a dark history. Clara is trapped and forced back in time to bear witness to a family’s bloody saga. Overtaken by the malevolent echoes, Scott is pushed over the edge from possessive husband to wholly possessed… Inspired by a true-life drama in Shakespeare’s day, this is itself a play within a play: a supernatural thriller with a historical core. Only one player can survive.'
Grab yours here: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E

But wait! There's much more...

Axel Howerton's Living Dead at Zigfreidt & Roy - A Vegas Zombiepocalypse is up for grabs. 'Blood and Coffee. Cowboys and Zombies. Welcome to the Last Diner at the End of the World. The coffee's hot and the ghoulish army of the undead isn't due for a few more minutes. Take a load off, fill your cup and listen to the last story of how the world ends. Not with a whimper, nor a cry, but with the roar of white tigers and the blazing neon of the Vegas strip.'
Find it here: http://www.amazon.com/Living-Dead-Zigfreidt-Roy-ebook/dp/B005V5QT04

Bryan Hall will offer up his short story collection Whispers From the Dark. 'What if your hometown hid a terrible secret? What if the vintage LP you brought home was more than just a record? What if your neighbor's pond held an evil only you knew about? What if your dying daughter's only hope lay in a strange shack deep within the Appalachian wilderness? This collection of fourteen short stories from the author of Containment Room Seven asks those questions and many more. You won't find vampires or zombies here - only pure, dark, unrelenting terror on every page.
Sounds spooky: http://www.amazon.com/Whispers-From-The-Dark-ebook/dp/B005Q339DQ

Last but never least, Robert S. Wilson is not to be be outdone! He is making all four of his titles free on March 15th! I'll link you to his Amazon Author Page for easy one-stop shopping. Here you can grab Shining in Crimson (Book One of his dystopian vampire series Empire of Blood), his novella The Quiet and two shorter works What Happens in Vegas and Born to Kill.
His page and books are here: http://www.amazon.com/Robert-S.-Wilson/e/B005EU57AY

We all hope you enjoy our books! I've found that Indie writers are a Tribe. We love to help each other out and promote one another's good work. There's no ulterior motive and no competition. After all, if you love to read, you'll want more than just one book, right? And when we can help point new readers to try out our fellow authors, everybody's a winner.

Enjoy, dear reader... and spread the word. And if you truly love our books, please let us know and also consider leaving a nice review on our respective Amazon pages. We'd love to hear from you and sincerely appreciate getting good reviews and ratings!

Thursday, March 1, 2012

Good Karma! Success and Thanks for a Great Day!




WOW!! My Indie author adventure took a dramatic upward turn on Leap Day!

I am thrilled with the results for the cross-promotion day with the launch of Crushing Hearts and Black Butterflies debut anthology, Dark Light. The anthology shot up the ranks and is selling REALLY well... and I was staggered by the number of downloads I had for Base Spirits.

If you are an Indie author questioning the idea of using KDP Select as a marketing tool for your book, I am sharing my method this time around. Maybe it will help you decide if it's worth a shot in your own unique case. Obviously, you will have to tailor the promo for yourself in ways that make the most sense, but this is what I did:


When I initially joined KDP, I'd made Base Spirits free for 2 days in January-- the first day I had 38 downloads, but on the second I had over 1000. As a result, I had a wee bump in sales, and have since been getting more great 5 star reviews and word of mouth... and sales (though frankly still miserly) were at least slowly-but-steadily happening.

This time around, I thought I'd try a one-day cross-promo of Base Spirits with the anthology launch of Dark Light. CHBB publishing are fairly aggressive about getting the word out, so I figured if some of the antho authors could hitch a ride and do a giveaway at the same time, it might yield more results. I also nicely & discreetly requested RT-ing and sharing from high-profile key people (all of whom did me the favour). If you want to ask people to share your posts, ALWAYS ask directly in a message and DO NOT just post it on their walls unasked. 9 times out of 10, they are only too glad to help. And? Pay back the favour by Tweeting and sharing their news and promos. I notified 'E-reader News Today' and got featured in their ENT wall of free books. I'm also new to Triberr-- a 'tribe' of others will share your blog posts so that you reach a bigger audience. My reach there is over 55 thousand or something. I did a special blog post about the giveaway, and noticed it was going out steadily all day without any extra effort from me. I also posted in maybe 4 or 5 targeted FB groups, and did a fair amount of tweeting to bump things along.

Final tally of free downloads: Amazon.com= a truly stunning 3794, Amazon UK= 82... and I broke into the European market with 10 in Germany and one in France! I was in the top 100 free books at times, and was at #3 and #5 for the categories of ghost and historical fiction. (At one point, I even beat out Dracula and The Scarlet Letter by those *other* 'hacks'!)

SALES first thing in the morning... 63 on .com and 6 in the UK!!!! Now I can finally get a cheque from Amazon! WOOT!!! Those numbers may pale in comparison with other folks, but comparisons will only drive you crazy. This is a huge leap forward for me-- so hooray, Leap Day!

So I'd say that worked!!! It was a lot of fuss to do, but not as much as you'd think-- and it didn't cost me anything but time and some effort. I have 2 more free days left, and plans for an upcoming cross promo with a bunch of other horror folks.

Good luck with your own books. Marketing is a tricky thing-- what works brilliantly for some writers totally tanks for others. Sometimes results accumulate rather than skyrocket. Remember- it's not a race. Also remember- you're not in this alone. "Writers are a tribe". A great Canadian author Margaret Laurence said that-- and it's true. We are all in this together. When you need help, just ask.

Tuesday, February 28, 2012

A Leap Day Gift For You & an Anthology Launch! (Promo over!!)

Come into Creepy Calverley Old Hall


THIS LEAP DAY PROMO IS NOW OVER!!! BASE SPIRITS IS NOW BACK ON SALE FOR $2.99. THANKS TO ALL FOR THE INTEREST FOR MY NOVEL AND THE DARK LIGHT ANTHOLOGY! IT WAS A BIG SUCCESS!

Today is the day when a new publisher takes its big leap into the world with the launch of an anthology of short stories: Dark Light! Join me in a warm welcome to Crushing Hearts and Black Butterflies... their brand new books look slick and-- well-- really dark! So have a peek at them and cheer them on as they get started with their book launches and all of the exciting whirlwind that goes with it! http://www.crushingheartsandblackbutterfly.com/dark-light-excerpt.html My short story 'The Transformation' is included, too!

As I'm in a celebratory mood with the anthology launch, and the recent launch of my short story 'Family Secrets' on Kindle over the weekend (http://www.amazon.com/dp/B007D8TLP2 ) I am giving away Base Spirits for free on Amazon Kindle all day today! (February 29th only- I hope you can make it!)

Grab one for yourself, and tell anyone you know who loves a great ghost story!
http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E

Enjoy the read! Drop by and tell me what you think, and please leave a review on my Kindle page if you truly love it. It's getting heaps of 5 star reviews. I just want to share the love and reach new readers. Won't you be next?

Monday, February 27, 2012

'Family Secrets' Revealed!!

Click here! http://www.amazon.com/dp/B007D8TLP2


Hi everyone-

Despite the frantic month of February being... well... frantic!-- I have managed to get in under the wire as promised, and released my new short story 'Family Secrets' on Kindle! Click on the caption below Neil Jackson's excellent cover design to find it on Amazon. Here is the blurb:


A sinister short story about a family's long-buried secret...

Even as a young child, Jill had instinctively hated her grandfather-- and he'd always despised her just as deeply. Turns out her feelings were far from irrational...

During a summer vacation at the family cottage, Jill unearths the evil behind her Grandpa's dark personality. For years, everyone accepted that Grandma Annabelle's death had been a tragic accident. But what if Grandpa was guilty of her murder? Jill learns the horrible truth. Worse yet, Grandpa knows she's discovered his secret.

If an old man once committed a brutal murder, how far will he go to keep his past crime hidden? His terrified granddaughter is about to find out-- as Grandpa is due to visit over an extended family holiday...

(Includes a bonus novel excerpt from the author's acclaimed historical ghost thriller-- 'Base Spirits'.)

Here's that link again: http://www.amazon.com/dp/B007D8TLP2

I'm pleased to say that on the very first day, sales exceeded the entire previous week's figures for Base Spirits! Hopefully word will spread, and having more work out there will make creating buzz and building readership a lot easier. I'm looking ahead toward next month at releasing another short story... and of course, the Dark Light anthology launch is this week... so my story 'The Transformation' will soon be available as well!

Busy times...

Thursday, February 23, 2012

New Chills and a Giveaway... Coming Soon!



I just finished my final edit on a short story, 'Family Secrets'. This is a newer and (I think) far better version of what was my first-ever published work of fiction in a mystery and suspense anthology-- Wordscape 6 --put out by the Canadian Authors Association back in 2000. The evocative cover art has been designed by Neil Jackson. What do you think? Pretty creepy stuff. Who's the figure on the dock... and what's his big secret? You'll have to read it on Kindle to find out. I am attempting to fly solo with the all the formatting and downloading hoopla. It's likely easier than I think. This should be up by the end of the month or the beginning of March.

Next week on February 29th, my story 'The Transformation' will be published in Dark Light-- the debut anthology from the intriguing new company Crushing Hearts and Black Butterflies. http://www.crushingheartsandblackbutterfly.com/dark-light-excerpt.html I'm happy to be in print again with a new dark tale of a lonely woman swept up in a dream of a romantic new life... but at what cost? The other stories look good, too. If you like the darker side of fiction, this may be something you'll want tin your library... and keep an eye on C.H. & B.B. for more amazing new writing!

To celebrate the launch, I will be holding a giveaway... stay tuned for details!

Meantime, Base Spirits was given another fantastic 5 star review! An American reader, Victoria Maggio, took a chance with my novel and loved it. "Strong characters, vivid descriptions and historical detail join together to create a world where I could lose all thought of myself and dive headlong into the unknown and not want it to end. Having to stop reading was a jolt to my system and I couldn't wait to get back to the story and find out what happened to these lives I had become a part of. What evil awaits them in the darkness... ?" You can link to the rest of her review here: http://www.amazon.com/review/R3BXI2AH38RQ8S/ref=cm_cr_dp_perm?ie=UTF8&ASIN=B005L38G8E&nodeID=133140011&tag=&linkCode=

I also had a blast with a local book club discussion of Base Spirits the other evening. They unanimously loved reading it, and I loved talking with them about it and answering their thoughtful questions.

Keep an eye peeled (God, but that sounds painful!!) and watch for my new stories... and next week's giveaway!



Friday, February 17, 2012

Creepy Book Trailer for Base Spirits!!

The very kind folks over at Authors Anon (http://authorsanon.wordpress.com/2009/12/06/about-authorsanon/) posted a brand new book trailer for Base Spirits today!

Click here and prepare to be creeped out: http://www.twitvid.com/UOSFA#

Enter if you dare...


Oooh! Scary, kids! Much, much more frightening than Dr. Tongue's Evil House of Pancakes! http://www.youtube.com/watch?v=6m2gl51J6lo Ar-OOOOOO!

Like what you saw? Then come check out the real deal at Amazon Kindle: http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E

Or if you'd like an even more real paperback: https://www.createspace.com/3462705 or by mail order from my local Stratford indie bookshops, Fanfare Books (fanfare@cyg.net ) or Callan Books (jcallan@orc.ca) If you order through my locals, I can sign & personalize the books before they are shipped.

Seriously-- Authors Anon did a wonderful job, and I am so pleased and chuffed to little mintballs. I'd given them some images of the original artwork from the time of A Yorkshire Tragedy and the real-life location of Calverley Old Hall in Yorkshire... and lo and behold. I am grateful for their hard work. Go check out their website (link above). Authors Anon is a tireless, talented advocate for new indie writers. Their beautiful site is full of great discoveries, new writers and their books, and a list of very useful links for all.

I'm off to get some pancakes. I have a craving for some weird reason.

Wednesday, February 15, 2012

Great Reviews and News for Base Spirits!

The week is unfolding with all sorts of wonderful news...

First off-- as I mentioned in my last blog post-- I had a great review of Base Spirits from Jon P. Bloch of the Kindle Book Review team. He called it a 'distinctive debut worthy of attention'. If you want the full 4 star review, here's the link: http://www.amazon.com/review/R2UZZDTJUGDDS/ref=cm_cr_pr_perm?ie=UTF8&ASIN=B005L38G8E&nodeID=&tag=&linkCode= He also thought it could be easily dramatized as a screenplay... interesting, as I had a message from a Facebook pal in the 'business' just last night suggesting that very thing. I have but to come up with a screenplay, and he has some producers in mind who are looking for a dark project to back.

That would be perfect-- but where to start? If anyone has suggestions or experience, I'd sure love to hear some advice! My friend was encouraging, though. He figures if I can manage to write a novel, I am capable of writing a screenplay. My day job does require me to write film and TV scripts, but they are specialized and purely technical to provide descriptive narration for the blind and visually impaired.

I had a lovely Valentine's gift in the form of another stellar review from Stacey Turner on See Spot Read! http://seespotread-spot.blogspot.com/2012/02/base-spirits-by-ruth-barrett.html Here's a quote that certainly warmed my cockles:
"Honestly, there wasn't anything I didn't enjoy about this book. Since I'm hesitant to give out five star reviews (they're flung out so willy nilly these days that who really believes them?), I'm definitely giving this one a ringing four star recommendation. Anyone who enjoys history, ghosts, possessions, England, or horror in general, is going to enjoy this book. I don't know how many people know who Barbara Erskine is, but her novels are what this book put me in mind of. And I'm a huge Barbara Erskine fan. Which makes me a huge Ruth Barrett fan."

Wow.

That is yet another comparison to Barbara Erskine-- I think that's the third so far from enthusiastic readers. I've gone out and bought my first Erskine novel today so I can see for myself what makes us similar (if I can just find some time to read! My TBR pile is threatening to topple over and crush me.)

Base Spirits is also one of two Book of the Day selections on the new RG2E (The Reader's Guide to E-publishing) site. They seem like an exciting new source for connecting readers with new writers-- if you are either/or, take a look and sign up-- although their primary focus is on readers. There are regular giveaways of intriguing new e-books and a Kindle e-reader or two... http://thereadersguidetoepublishing.wordpress.com/2012/02/15/todays-eotd-include-ruth-barretts-base-spirits-and-sharon-hamiltons-heavenly-lover/ For all you writers out there, RG2E is a sister site to the very popular WG2E (The Writer's Guide to E-publishing). Check them out for great tips and articles. http://thewritersguidetoepublishing.com/

A busy week indeed-- and it's resulted in a modest bump in sales. I'm also newly on Triberr and experimenting with that site, and there is still a featured author spot to come before the week is out! *Whew* Stay tuned... and thanks for dropping by.