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Showing posts with label Amazon. Show all posts
Showing posts with label Amazon. Show all posts

Monday, August 13, 2012

Interview: Author Stant Litore and His Extraordinary Undead




http://www.amazon.com/dp/B007FJHDBI
One of the great things about being an Indie writer is the true sense of community I've discovered along the way. Writing is a tough and largely solitary slog, so finding connection with others in the same boat is vital if we are to keep sane and true to the journey.

Today I am pleased to share some time with one of my favourite folks I've 'met' over the past year... zombie author extraordinaire Stant Litore.

Now before you nay-sayers out there roll your eyes and groan 'not more zombies', you need to know that Stant's Zombie Bible series has raised the bar for this genre. His work is lyrical and beautifully crafted. The emotion is raw and heartfelt in ways that surprise and hook you at every turn. This is not all about half-rotten ghouls staggering after the hero endlessly growling for 'braaiiinzzzzzzzz'. Stant peels away the layers to the core of our own humanity, and the spiritual stakes are very high indeed. Even if you are not a fan of zombies, give Stant's fiction a try. If you do love zombies, I urge you to have a look at this fresh and intelligent take. It is not for the squeamish, certainly-- but it is so much more than a gory yarn. This is truly literary stuff.

http://www.amazon.com/dp/B007EUOF6Y


Stant has also been incredibly fortunate along his own Indie journey. After launching on his own and creating a devoted following, his books have been picked up by Amazon's publishing imprint 47North! New and fantastic cover art has been revealed [we'll insert the images here] and the excitement is mounting ahead of the release dates: August 14th for the first two books Death Has Come Up to Our Windows and What Our Eyes Have Witnessed, and October 16th is the much-anticipated launch of Strangers in the Land. Here are the links for the books:

Death Has Come Up To Our Windowshttp://www.amazon.com/dp/B007FJHDBI
What Our Eyes Have Witnessedhttp://www.amazon.com/dp/B007EUOF6Y
(Strangers in the Land is forthcoming: http://www.amazon.com/dp/B007EUOP3W)

Welcome Stant! And congratulations. This is all very exciting!



First of all... why Zombies?

Zombies have always held an eerie fascination for me. It’s the eyes – that these are bodies that look at you and do not see you; they see only food. That’s a terrifying thing. It’s terrifying to the gut, and it’s terrifying in a metaphysical sense.

What inspired you to meld this very specific horror sub-genre with such heightened spiritual matters?

I have no idea. Perhaps just the chance of watching Night of the Living Dead while reading the biblical book of Judges. But zombies do allow us to explore some very intense spiritual questions about both our relationship to our dead … and our relationships with the living. Questions such as “How do we remember our dead, how do we grieve for them and say goodbye to them?” and “What do we see when we look at another human being? How often do we look at another person and see only food – fuel for our desires, our fears, our ambitions?”

When you first began, what were your goals for your books?

Writing them. And holding nothing back.

What's changed?

Not much in terms of the what, but a lot in terms of the how. Originally, The Zombie Bible was going to be a long book containing five novella-length stories. It rapidly became clear that these were big stories, and their character deserved more. It is now a series of very ambitious scope. Of the original five stories, one has been published, one will be published this October, and the other three are yet to come. Along the way, other stories I wasn’t aware of when I began have insisted that I write them.

Tell us about how the 47North deal was born.

I’ve told the full story here, under the title “How the Kindle and KDP Helped Save My Little Girl”: http://zombiebible.blogspot.ca/2012/06/how-kindle-and-kdp-helped-save-my.html It’s worth a read.

Did you ever at any point feel yourself falter along the way? If so, how did you keep yourself on track?

The short answer is no and the long answer is yes. No, not since opening up The Zombie Bible – these stories have torn themselves out of my chest and have not let any doubt or any obstacle get in their way. The long answer is that for years during my twenties I moved very slowly and often faltered in my writing—less from doubts about my craft than from doubts about whether this was the life I *should* be committing myself to. I did not keep myself on track.
Then I had children. I looked down at my daughter’s beautiful face and realized it was time. There could be no more waiting, no more dithering. How could I teach my girls to follow their dreams if I did not pursue my own aggressively and with truth and ferocity?

You're a busy man with a growing family. How have you managed your life/work balance?

Precariously, and with diligence. It helps that I write fast and I revise fast. I trigger myself into a creative mood with music, and I get in fast. That’s not luck, it’s hard work – I’ve trained myself to do that over years. But it does mean I can accomplish a great deal over a lunch break or after the kids are in bed.

What future writing projects are in the cards?

Ah, now that would be telling. You have to be surprised. But I will say that The Zombie Bible will be ongoing for a while, and that you should expect a few fantasy novels in upcoming years that do not involve zombies. Expect panache, pirates (though not on Earth), true love, giants (this is beginning to sound like The Princess Bride), and tales of insane things happening to not entirely sane people. Expect novels that will demand that you hold on tight for a very fierce ride.

Any advice for aspiring Indie authors that you'd care to share?

Find out who your characters really are, let them show you, and find the truth your novel has to tell. Nothing matters more than that. Do not compromise or take shortcuts. Do not chicken out under pressure and write the easier path for your story. If that means you find out two thirds the way through that a near-complete rewrite would give you a story nine times as powerful, you do it. If you won’t have the courage to let your story dig deep into the heart, you’re wasting your time.
Secondly, if you are an indie writer, hire a good developmental editor. This is crucial. I have heard a lot of indies talking about the need for a good copy editor, and that’s certainly essential. But you need a good developmental editor, too – someone who will take an experienced and impartial look at your story and talk with you about which scenes to cut, which scenes to move, where a character is inconsistent or falling flat for a while. Don’t skip this phase. That one additional draft with an expert’s questions to prompt you may be the difference between an okay novel and a great novel.

As always it's been a pleasure-- I hope you'll return and let us know how the books are faring in the coming months!



Wednesday, June 13, 2012

Marketing is Hell!



I know, I know. "It's a marathon, not a sprint" blah blah blah. I get it.

The thing is, my personal marathon has been going on for well over a decade. I've been writing stories all of my life, and seriously working at this 'writing-to-publish' gig in one way or another since 1999. I've had a bunch of short stories published, won a few prizes, and been awarded a grant. I've studied English Literature and creative writing. I've always been a voracious reader, and carefully studied and honed my craft. I'm still honing: I don't think any writer should ever sit back and say "That's good enough" and rest on their laurels. That's cheating.

Yes, I went the traditional route with endless rounds of agents and publisher queries. I even had an agent at one point, but we were not a good team. The traditional route is a baffling one. A lot of people at Big Six publishers liked my writing and encouraged me, but no one went that extra step to publish it.

Yadda yadda yadda.

Fast-forward to the Indie Revolution and the breath of fresh air it offered as a way to reach readers. I was ready to give it a go, so I did. I finally presented 'Base Spirits' after professional editing and formatting and getting some kick-ass cover art. For the most part, I've enjoyed the process and all the fabulous, encouraging people I've been meeting along the journey. I've had great feedback and reviews from readers from all over the world. Yay!

But?

I have to come clean. Marketing-- for me-- is pure, unadulterated HELL.

I've carefully followed examples and taken suggestions: giveaways, KDP Select, contests, blog hops, guest interviews (both giving and hosting), blogging, Facebooking, Twittering, Triberr, Goodreads, cross-promotions, layered marketing etc. ad infinitum. I am not renewing my KDP Select after this round. I fear that the e-book market has been saturated with all the freebies to the point where a great many readers just expect us to hand over our hard work for nothing. If one has a large backlist, it makes more sense: one book helps introduce your writing to the world. I may revisit it once I have more ready to publish.

It's still the Wild West for Indie Publishing. What used to work as a 'surefire' marketing or promotional tool last month may not work now. I'm not bitter-- just sort of baffled. I admit it. It's a mystery.

I've decided I am more interested in writing books than standing on a virtual street corner wearing a jester's hat and making balloon animals for passersby who really couldn't give a toss. So for now, please forgive me while I happily type away on Book One of the Dead Drunk Mystery series. I'm not giving up: I just need to write books instead of spending hours a day on social media.

What I am trying to do is get more reviews. I think reviews are a good idea for the long haul. Readers are much more likely to be impressed by a decent third party review than any clever Twitter blurb or barely-disguised subtle plea from me to give my work a try. I've been pretty lucky so far: most of the 21 Amazon reviews to date have been stellar. Now I'd like to concentrate on being reviewed further afield on blogs and websites.

In fact, if you are a reviewer or book blogger reading this and you'd like a free review copy of either 'Base Spirits' http://www.amazon.com/Base-Spirits-ebook/dp/B005L38G8E or my short story 'Family Secrets' http://www.amazon.com/Family-Secrets-ebook/dp/B007D8TLP2, I'd be more than happy to send them your way. Please leave me your e-mail in the comment section below.

Now back to our regularly scheduled marathon...


Tuesday, May 22, 2012

A Taste of 'Base Spirits'


Enter the Darkness...



Taking a chance on an Indie author is risky for readers. I get that. I've been burned myself by buying underdeveloped, poorly edited, and just plain badly written books. But here's the thing... it's not all poo. Really! There's gold in them thar hills. I've also discovered some excellent Indie published books: writing rejected by the bean-counters and gatekeepers of traditional publishing. Indie books are also cheap as chips... hours of amazing entertainment for a few measly bucks. Far more often, I have also been burned by paying top dollar for top selling authors published by the Big Six. I don't know about you, but I'd rather chance a new discovery for the price of a specialty coffee than fork out $20 for a crappy bestseller. Still hesitant? Savvy Indies make samples of their books available through Amazon's 'Look Inside!' feature, and even give their books away free from time to time.

I've done that. As a result, I know I reached a wider audience... maybe. Lately, I'm feeling a bit cynical. I think there are a lot of readers out there who are perhaps being trained to think that Indies aren't worth paying for if they can just wait it out and grab freebies by the armload. Will all of these folks read my book? Maybe. Maybe not. I'll bet they have hundreds of e-books downloaded and may not get around to mine for months. I hope some of them read it... review it... and tell a friend about it.

I'm going to be honest. Sure-- it's great that people are scooping up my book whenever I make it free... but guess what? I'm attempting to build a career, and I am aiming to make at least a partial living with my fiction. I think it's a bargain at a mere $3.99. I admit I've been baffled by marketing... so here goes another blog post! Currently, I am writing a new novel In The Bag -the first of a projected series of character-driven crime novels: The Dead Drunks. Meantime, my short story Family Secrets http://amzn.to/GUbPPN and my first novel Base Spirits are getting excellent reviews.

Now I'd like you to take a chance, dear prospective reader.

Here's the blurb for Base Spirits, followed by a teaser from the opening chapter (Note: the cut and paste into blog form messed the formatting slightly-- the actual book has impeccable formatting and editing). Give it a read. If you like it, please follow this link and download your very own shiny Kindle copy http://amzn.to/wQ1ms4. If you are a person who loves the tactile experience of reading an actual book, here is the paperback link: http://amzn.to/HukdEZ If you like fast-paced ghostly chills wrapped around a fascinating and brutal historical tale (think Possession meets The Shining), this may just float your boat...

‘Murder has took this chamber with full hands And will ne’er out as long as the house stands.’ 
~A Yorkshire Tragedy, Act I, Sc. v 


In 1605, Sir Walter Calverley’s murderous rampage leaves a family shattered. The killer suffers a torturous execution… but is it truly the end? A noble Yorkshire house stands forever tarnished by blood and possessed by anguished spirits. Some crimes are so horrific, they reverberate through the centuries. 
As an unhappy modern couple vacation in the guesthouse at Calverley Old Hall, playwright Clara, and her scholar husband, Scott, unwittingly awaken a dark history. Clara is trapped and forced back in time to bear witness to a family’s bloody saga. Overtaken by the malevolent echoes, Scott is pushed over the edge from possessive husband to wholly possessed… Inspired by a true-life drama in Shakespeare’s day, this is itself a play within a play: a supernatural thriller with a historical core. 
Only one player can survive.



York, England, 1605

Sir Thomas Leventhorpe had failed the victims in life. He could not fail them now.

            Though he longed to be anywhere else that August dawn, his choice was irrefutable. The noble family murders had left him as the village of Calverley’s highest-ranking citizen, and he bore a duty to witness the conclusion of its history’s most tragic chapter. It was his sacred charge to stand present for those innocent lives cruelly dispatched by the very man that should have loved them most.

He lingered in the stark main corridor of Clifford’s Tower, waiting to accompany the killer on his final procession. There seemed to be a delay. From what Leventhorpe could gather, the entourage was incomplete. He glanced about the small, silent group and caught the eye of the anxious man standing at his side-- the only other soul afflicted with first-hand knowledge of the horrors that had led them to the Tower. Leventhorpe ventured an encouraging smile at the murderer’s former servant, but John's pale, scarred face was stony. Sir Thomas touched the younger man on the shoulder and felt him quivering like a nervous beast, his arms tightly wrapped about himself in a desperate embrace. The brutal April morning at Calverley Hall had shattered John. Withdrawing his hand, Leventhorpe wondered why the lad had come to this dread place to be reunited with his nemesis. Perhaps in his own way John had no choice but to see the tragedy through to its conclusion. Leventhorpe could offer him no real solace but to share the burden of bearing witness.

In the Tower’s stairwell door, a grizzled magistrate stood lost in thought, tugging gently at his beard. The elderly head gaoler, Master Key, waited outside the prisoner’s cell door. A younger, assistant gaoler tapped his foot loudly against the flagstones and glowered toward the doorway at the opposite end of the corridor, a sneer playing on his lean face. Turning to his superior, he grumbled in a low voice:

“That idiot boy is late again-- and today of all days! I say we have tarried long enough.”

Master Key held up his hand. “Be thou patient, Jack. The magistrate is not yet concerned with the time. Hugh must be present to learn the proper order of how matters proceed.”
         
Leventhorpe’s skin prickled at the thought. He dreaded having to witness the ‘matter’ in question, and felt pity for the unseen boy who would today be taught the finer details of his trade.  
     
Footsteps pounded up the outside stairs and-- as if overhearing his cue-- a scrawny lad of no more than twelve skidded into sight. White-faced and out of breath, Hugh blanched still further as the men turned as one and fixed him with expectant looks. Giving an awkward bow of his head by way of apology, he staggered as he took a halberd down from the wall hooks. Jack strode over to collect the apprentice and hauled him into place by the ear. Leventhorpe was close enough to hear the gaoler’s hissed threats.

“Yer in luck, boy. The magistrate himself was late to rise, else ye’d be wishin’ ye could trade places with our esteemed prisoner.”

Master Key shot his underlings a sharp glance from beneath his heavy grey brows and they ceased their disruption. Key unlocked the door, and he and Jack entered the cell. Leventhorpe heard the muted clanking of chains and after a moment, Sir Walter Calverley was led out between the two men.

Leventhorpe’s stomach twisted at the sight of his former friend and neighbour. He caught John by the arm, steadying him as the lad’s knees buckled. Neither had seen Calverley for months-- not since his hellish rampage. Although Calverley was thin and drawn, he held himself with dignity. He wore a fine black doublet, and his lace cuffs and collar gleamed in contrast to the gloom of the corridor. Leventhorpe couldn’t help but think that Calverley was very well dressed for a dead man: he must have set this outfit aside in anticipation of the occasion. Calverley did not so much as glance in their direction.

Master Key cleared his throat and nodded to the magistrate. The procession began its descent into the bowels of the Tower, the close quarters of the stairwell making for an awkward single-file progress. The stately magistrate set a careful pace for those behind. Leventhorpe and John followed next, with Master Key leading Calverley. Jack and Hugh took up the rear to prevent any chance of the prisoner’s escape.  
         
Time of day carried no meaning as they moved down into the still depths of the Tower. No one spoke: the only sound was the scuffling of heavy-booted feet. Flickering torches from the wall sconces lit the way, casting long, dancing shadows on the muted grey stones. Leventhorpe had the sensation of being buried in the earth as they moved ever deeper. He kept his eyes lowered, mindful of the uneven stairs, eroded by countless footsteps over several lifetimes. Suddenly, a rush of iridescent green-and-black beetles scattered out of the men’s path. Leventhorpe felt a brief flash of delight to see something so lively-- these animated jewels-- existing in such a bleak place.

At the foot of the tightly coiled stone staircase lay a narrow, low-ceilinged passageway. Leventhorpe glanced along a seemingly endless succession of closed doors and gaping antechambers. Today’s method of execution-- ‘peine forte et dure,’ less elegantly known as ‘pressing’-- could take several hours. His throat constricted. Already he found the dank air putrid and hard to breathe. The clammy walls, coated with an orange mildew, gave off a pungent odour. Here and there between the cracks in the stones grew a strangely pretty fungus with pale yellow flowers. Leventhorpe touched a curious finger to a cluster of the petals as he passed by. They disintegrated instantly and left a lurid smear on his fine lace cuff.

Lord, I pray this ends quickly--

At last, the magistrate came to a halt and peered around to catch the eye of Master Key. Jack and Hugh stepped ahead to replace their Master’s hold on the prisoner. Hugh’s hand clearly shook as he tried to get a firm grip on Calverley’s arm, but he was met with no resistance: Calverley kept his manacled hands clasped before him in the manner of a clergyman and focused his dark eyes into the shadows at the far end of the passageway. Leventhorpe was again struck by the man’s poise. Of those present, he seemed the least moved by what was about to take place.
        
Fumbling at his belt for an oversized key, the old Master slipped to the front of the group to unlock the low, windowless portal. He heaved his stooped shoulder against the recalcitrant door and swung it inwards. The magistrate ducked his head as he entered the chamber, followed by the others. As Key lit the torches in the iron wall sconces, Leventhorpe blinked and looked about the room. A wide plank of coarsely hewn oak leaned against one wall. Beside it was a heap of stones, each roughly the same size-- twelve to fourteen pounds in weight.  Four iron rings were set into the flagstones in the centre of the floor. The room was otherwise barren. Once the condemned man was safely inside, the door was shut and bolted. Leventhorpe felt trapped.

“Make him ready,” said the magistrate.

As placidly as a docile horse, Calverley allowed himself to be taken by his chains and roughly stripped by Jack. The assistant gleefully assessed the clothing as he folded each item. Handing the garments over to Hugh, he winked at the boy’s dumbfounded expression.

“For safe-keepin’, lad. A boon for me. They’re about my size-- and he won’t be needin’ ’em in Hell now, will he?”

Leventhorpe was shocked by the outrageous theft but no one else seemed fazed. It must be routine in such matters, he thought. Perhaps it was considered part of the assistant’s payment.

Calverley was made to stretch out face up on the cold floor. A jagged stone was placed underneath the small of his back. His ribs standing out in sharp relief, he arched his body upward to accommodate the work of Master Key’s calloused hands. The prisoner’s long limbs were pulled into a cruciform position and shackled to the iron rings. At a quick count of three, the two gaolers heaved the plank from where it stood. With a grunt, they laid it over top of Calverley’s naked torso. The strain showed immediately in his breathing.

From where he stood, Leventhorpe had the clearest view. Only the doomed man’s face was visible at the top edge of the plank. Leventhorpe looked closely at his one-time friend. Calverley’s full lips were parted as he gasped from the burden already on his chest-- and the anticipation of what was soon to come. Beads of perspiration dotted his moustache and beard, and sweat soaked the thick waves of his dark hair. Leventhorpe felt sick with pity. For all that Calverley had so brutally performed to visit this fate upon him, his serene determination from the outset to lighten the work of his own executioners gave him the aspect of a martyr.

Perhaps he hath repented. Will he at last speak his mind to the Law?

Leventhorpe could not catch his eyes to ask this silent question. Calverley had disconnected. He fixed his unblinking gaze on the grimy ceiling, entombing any emotion he may have felt deep within and unreachable.

The magistrate stepped forward from the corner, where he’d been absorbed in the examination of loose threads on the hem of his cloak. He had paid little attention to the tasks of the others. Master Key pulled his apprentice out of the way and made him drop the bundle of clothes he’d been hugging to his chest.

“Ye’ll need to keep yer hands free now, son.”

The nervous boy leaned his halberd against the wall, where it slipped along the moisture and clattered to the floor. Already skittish, Leventhorpe and John started at the racket, and John pressed up against his back as if to be shielded from the very Devil. The magistrate clenched his jaw and waited for the echo to subside. He spoke in a strong voice that belied his great age.

“You had your chance to speak before the Assizes. You chose silence. I therefore put it to you here and now for the Crown, and before these good men: Sir Walter Calverley, how do you plead?”

Leventhorpe stood waiting by his friend’s head. John’s nervous breath was hot on his neck.

There came no reply from Calverley but laboured breathing.

“Very well-- ” The magistrate stepped aside and nodded to the gaolers.

“Lay on the weights.”